Jeff Snowdon

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This page will be developed as a resource centre for students, including links to interesting websites and downloads of useful learning/practice material.

 


For a free copy of Arban's Cornet Method follow this link.

http://www.free-scores.com/download-sheet-music.php?pdf=22898


Arnold Jacobs

Arnold Jacobs (June 11, 1915 - October 7, 1998) was an American orchestral tuba player who was most known as the principal tuba player for the Chicago Symphony Orchestra from 1944 until his retirement in 1988.

Jacobs was considered one of the foremost brass pedagogues of his time and was considered an expert on breathing as it related to brasswind, woodwind, and vocal performance. Due to childhood illness and adult onset asthma, his lung capacity was significantly impaired. He is best remembered for his playing philosophy which he referred to as "song and wind".

Follow the link below to find a selection of clips from his lectures and masterclasses:

Arnold Jacobs Masterclasses


A fantastic website by a brilliant horn-player and complete horn-nut

Pip Eastop

Well worth a look. 

Full of interesting and entertaining articles about horn-playing


Book Lists by AB Grade for all Brass Instruments 

The Booklists are a guide for parents to purchasing books. It is an attempt to make it easy to see which books are most useful at each grade. Books I recommend are highlighted in bold. 

The Yellow section is repertoire pieces. Blue is studies and Green is fun stuff. Important technical books are orange.

Click on the link to download a pdf file.

 


 

10 Ways to  Get the Most Out of Your Lessons

1. Practise regularly between lessons: 10 minutes a day is a good amount for beginners but the more advanced you become the more practice you need to do to maintain your standard. 20 -30 minutes a day is a good rule of thumb for players around Grade 3 to 5. Find a time in the day when practice can become a routine thing. Of course if you are very serious about your playing and want to reach the top you will do a lot more.
2. Be ambitious Get involved in ensembles at School, Music Centre and local brass bands. The more playing you do the better you will become. Aim to work your way up the “Progressive Pathway” to the higher level groups such as the County Youth Orchestra. Learn from all the experiences you have along the way.
3. Have something well prepared for every lesson This may be a piece or study that was set in a previous lesson or something you have been playing and want advice on. Make sure it is well practiced and you have overcome as many as possible of the technical difficulties.
4. Think about what you have done in the lesson Each lesson will raise one or two really important points that you need to build on through the week. Keeping a notebook is a good way of remembering what things to work on.
5. Get to know the repertoire Listen widely to recordings and go to concerts to broaden your knowledge of music of different styles. It is important that you like the pieces you are playing. Discuss with your teacher the things you would like to play - but be open to exploring new repertoire that the teacher recommends.
6. Ask questions Think what you need to develop in your playing and ask your teacher questions. That is the best way of making a teacher really work for you.
7. Warm up before your lesson Particularly important for players at higher levels who need to spend time on technical specifics and on repertoire and do not want to waste lesson time covering routine work.
8. Structure your practice You will improve a lot quicker if you spend your practice time well. Just playing through the things you like may be enjoyable but is unlikely to develop all aspects of your playing. If you are able to be disciplined in your approach divide your practice time to  include:

Warm-up / Technical - Longs notes, Lip Slurs, Scales and Arpeggios, Tonguing

Workshop – specific exercises and Studies to develop particular skills

Repertoire – Pieces that you are working on for exams and lessons

Fun stuff – very important to enjoy yourself as well.

9. Start working on theory You need to pass Grade 5 Theory if you are going to go on to Grade 6 Practical.
10. Be energetic and enthusiastic  ... even if it is after a long day at school .... it’s infectious and a happy teacher is a good teacher!

 

 


 

Download Scale Sheets for Brass Associated Board Graded Exams - 2010-2012 Syllabus

Associated Board Scale Sheets Treble Clef Bass Clef
Trumpet Grade 1  
  Grade 2  
  Grade 3  
  Grade 4  
  Grade 5  
  Grade 6  
     
Horn Grade 1  
  Grade 2  
  Grade 3  
  Grade 4  
  Grade 5  
  Grade 6  
     
Trombone Grade 1 - Treble Clef Grade 1 - Bass Clef
  Grade 2 - Treble Clef Grade 2  - Bass Clef
  Grade 3 - Treble Clef Grade 3  - Bass Clef
  Grade 4 - Treble Clef Grade 4  - Bass Clef
  Grade 5 - Treble Clef Grade 5  - Bass Clef
  Grade 6 - Treble Clef Grade 6  - Bass Clef
     
Euphonium Grade 1 - Treble Clef Grade 1 - Bass Clef
  Grade 2 - Treble Clef Grade 2  - Bass Clef
  Grade 3 - Treble Clef Grade 3  - Bass Clef
  Grade 4 - Treble Clef Grade 4  - Bass Clef
  Grade 5 - Treble Clef Grade 5  - Bass Clef
  Grade 6 - Treble Clef Grade 6  - Bass Clef
     
Tuba Grade 1 - Treble Clef Grade 1 - Bass Clef
  Grade 2 - Treble Clef Grade 2 - Bass Clef
  Grade 3 - Treble Clef Grade 3 - Bass Clef
  Grade 4 - Treble Clef Grade 4 - Bass Clef
  Grade 5 - Treble Clef Grade 5 - Bass Clef
  Grade 6 - Treble Clef Grade 6 - Bass Clef
     
Tenor Horn Grade 1  
  Grade 2  
  Grade 3  
  Grade 4  
  Grade 5  
  Grade 6  
Above Grade 6 on all Brass instruments a knowledge of ALL major and minor scales (in Harmonic and Melodic forms) is required.

The Cycle of Major Scales is a useful aid to understanding the patterns.

The Cycle of Major Scales

 An understanding of the theory of relative minor scales is also very useful

(refer to theory worksheets)

Cycle of Scales.jpg (155789 bytes)